![]() Determined to find out who killed her brother, Polly poses as Swifty's widow and attempts to get a job at Dominic's nightclub. Jimmy assumes Swifty's identity and joins Dominic's gang but is quickly discovered to be an imposter and shot. Swifty jumps off the train near a bridge crossing and since no trace of him can be found the police believe him to be dead. Swifty is traveling to New York to work for Dominic, a notorious gangster who owns a nightclub. Two detectives, Finnegan and Jimmy, board a train in pursuit of a gangster, “swifty” Dorgan. Planned as a full-scale musical, the songs were cut from the film before release due to the public's aversion for musicals. It was released by First National Pictures, a subsidiary of Warner Bros. Robinson, Neil Hamilton, and Frank McHugh. Cline and starring Alice White, Edward G. She is the author of several other books that look at the intersection of criminal and constitutional law, including Robert Nixon and Police Torture in Chicago (NIU/Cornell University Press, 2016) and A History of Criminal Law in the United States, 1789-1939 (Cambridge University Press, 2011).The Widow from Chicago is a 1930 American pre-Code crime drama film directed by Edward F. Prior to going to graduate school to get a PhD in legal history, Dale was a civil rights attorney in Chicago. The book is freely available online ( ) and no permission is necessary to access or is an imprint of the University of Florida Smathers Libraries and the University of Florida Press.Įlizabeth Dale is professor of history and law at the University of Florida, where she has taught since 2000. ![]() editors for the project included librarian and editor Perry Collins and former UF graduate student Dr. Leewood Woodell Endowment, dedicated to research in the digital humanities. Smathers Libraries and the UF Department of English, with additional funding from the Dr. Publication is supported by the George A. This and other examples throughout the book highlight individual and community efforts-sometimes successful, often not-to attain rights on par with those of white Chicagoans. Dale’s research into this case reflects the inherent bias of Chicago’s legal system, as even conflicting witness accounts and factual inaccuracies could not avert a conviction. One section of the book delves into the trial of Walter Colvin and Charles Johnson, two Black youths accused of murder during the 1919 riots. Wells-Barnett and her husband, lawyer Ferdinand Barnett. “Voices from Chicago’s First 100 Years,” a supplement to the book, identifies many individuals mentioned throughout the text, including key figures such as activist Ida B. As a multimedia, online publication, the book incorporates many of these sources alongside the text for a closer look and better understanding of day-to-day lives and acts of resistance by Black citizens of Chicago. As a legal historian, Dale considers the aftermath of that violence through the 1930s and the forces that arose-in the streets, in city government, in the courts, and in the police department-to limit the rights of Black people.ĭale draws on current scholarship and rich primary sources, including newspapers, photos, maps, and documents. Elizabeth Dale, Professor of History and Law at the University of Florida.įight for Rights traces the experiences of Black Chicagoans from the city’s founding in the 1830s, through the population boom of the Great Migration and the racial violence that shaped the summer of 1919. Screenshot from the announces publication of Fight for Rights: The Chicago 1919 Riots and the Struggle for Black Justice, a freely available, digital monograph.
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